Moxie629 said:
TsarMatt said:
Apocalypse Now (1979)
Perhaps one of the best directed films of all time, but falls a bit short in the storytelling department. The Conversation is, by far, Coppola's most accomplished film IMO, but this is a nightmarish and technically adept depiction on one of America's most macabre wars.
I love The Conversation, but did you forget about The Godfather I and II? In any case, Apocalypse Now is, in my opinion, probably the greatest film about the Vietnam War, for facing it, not as a straight-on war film, but for giving the viewer the surreal experience that was that war.
The Godfather films are excellent, although I always preferred The Conversation which feels like a much more personalised and stylish piece. Coppola, alongside the other New Hollywood filmmakers, owe a lot of their work to European New Wave filmmaking, particularly the pieces from the French movement, and The Conversation seems to encapsulate a combination of prime Coppola and European cinema. It's also a remarkable exhibition of sound design, as you'd probably know, and is perhaps Hackman's greatest performance. Just brilliant stuff.
But yeah, I agree, AN is the best Vietnam film out there. So many others out there are drenched in political themes and often are set out to make a
point or advance an argument. Coppola's film steered away from that and simply captured the nightmarish feel of 'Nam. There was no political agenda at play. It just made the viewers experience, and that's something more war films should do.
tented said:
TsarMatt said:
Apocalypse Now (1979)
Perhaps one of the best directed films of all time, but falls a bit short in the storytelling department. The Conversation is, by far, Coppola's most accomplished film IMO, but this is a nightmarish and technically adept depiction on one of America's most macabre wars.
"Apocalypse Now" is also an example of the director and editor getting it right the first time. The director's cut, "Apocalypse Now Redux", isn't nearly as good. Their instincts were correct in 1979.
Yep, I agree with you. Redux really fractured the pacing of the film and the new scenes added didn't really contribute much to either the story or mood. I can see why Coppola initially left them out.
I've seen the film about 4 times now and it still improves with every viewing. Man, what a run for Coppola in the 70s. It's such a shame that the film industry changed in the 80s. No longer could Coppola, nor any other American filmmaker for that matter have the freedom to make such personal pieces. I blame Heaven's Gate for that.