The Music Box

Double Bagel

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Meatloaf has a opera background I believe. He is an amazing talent.

Here is another guy who I think has a brilliant voice. Also one of the sexiest videos ever.

 

Horsa

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Meatloaf has a opera background I believe. He is an amazing talent.

Here is another guy who I think has a brilliant voice. Also one of the sexiest videos ever.


I agree. I'd love to meet him. I like Bryan Adams too. I used to like Andy Stewart too.

I agree with you. He does have a brilliant voice.
 
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Double Bagel

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I agree. I'd love to meet him. I like Bryan Adams too. I used to like Andy Stewart too.

I agree with you. He does have a brilliant voice.
I was lucky enough to see him perform live and he actually sounds exactly the same live as he does on his albums.
 
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Hoergren

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Status Quo has released a new single Libery Lane from their new album Backbone. No video yet as it was issued 6th of September but here is the tune - Status Quo as we know them with new drummer and guitarist

And here a live version from 1st of September in German TV
 

Horsa

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Status Quo has released a new single Libery Lane from their new album Backbone. No video yet as it was issued 6th of September but here is the tune - Status Quo as we know them with new drummer and guitarist

And here a live version from 1st of September in German TV

That's very nice but this is my favourite of their songs.

 

Moxie

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Fantasic profile on Iggy in the recent NYer. Did you read it? I think you should post it.
 

Horsa

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I'm very sorry for all the old songs recently but I've been put in charge of conducting a 1940's sing-song on a 1940's day we're in the middle of organising at work & all the old songs I can think of are running through my head & I'm thinking "Was this song about in the 1940's? Will I be able to teach this song, get people to sing it & keep the timing going?" (I know I can use the ones that are always used like "When the Saints go marching in", "She'll be coming round the mountains", "Leaning on a lamp-post", "White cliffs of Dover" "A nightingale sung in Berkeley Square", "Yes sir, that's my baby", "You are my sunshine" & "Bless 'em all" but I'm wanting to do something else too. Then I'm trying to think of all the words because sometimes I can think of some of the words but not all then at other times I can think of the title but not remember the words. The funny thing is when I play the songs I suddenly come up with all the words at the right time so I can sing it right. I'm also wondering whether I should print out some hand-outs. I've got my costume & make-up sorted.
 
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Chris Koziarz

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I'm very sorry for all the old songs recently but I've been put in charge of conducting a 1940's sing-song on a 1940's day we're in the middle of organising at work & all the old songs I can think of are running through my head & I'm thinking "Was this song about in the 1940's? Will I be able to teach this song, get people to sing it & keep the timing going?" (I know I can use the ones that are always used like "When the Saints go marching in", "She'll be coming round the mountains", "Leaning on a lamp-post", "White cliffs of Dover" "A nightingale sung in Berkeley Square", "Yes sir, that's my baby", "You are my sunshine" & "Bless 'em all" but I'm wanting to do something else too. Then I'm trying to think of all the words because sometimes I can think of some of the words but not all then at other times I can think of the title but not remember the words. The funny thing is when I play the songs I suddenly come up with all the words at the right time so I can sing it right. I'm also wondering whether I should print out some hand-outs. I've got my costume & make-up sorted.
Yes, you should print out the hand-outs. I would not expect many people to remember all words, esp. verses, even if they remember the choruses. But even those who remember all words will appreciate the handouts, as I would do.
When talking about 1940s, you cannot forget the domination of Glenn Miller Orchestra at all charts of the period. GMO dominated peoples minds so much that their style, first classical swing, like in Tuxedo Junction (that I linked below), then jive, like In The Mood posted somewhere above) were essentially copied by most musicians of the time. Remember, GMO in 1940s was like Beatles in 1960s-70s. Of course you cannot teach to sing In The Mood or Tuxedo Jnct, because Glenn didn't want any words there, but everyone should remember the jivey sound of In The Mood, the no1 in popular music of 1940s, eventually taken further into Bebop style by jazz musicians like Charlie Parker.
If I may introduce my opinion here: this type of popular music (created long before I was born) was far more interesting than today's pop. E.g. listen to the Blueberry Hill, or Autumn Leaves (the all times jazz classic of that period - I hope you include it in your list because knows it) just follow the baseline and your ear enjoys multitude of interesting chords. You hear every possible chord from from the G-minor scale the song was written in. While today's pop are at most repetitive I-IV-V (sometimes I-V only) progressions. It feels like in popular music (not in classical & jazz, that's a different story) people have forgotten the richness of musical emotions their fathers used to express. That's my "technical" way to explain why old music is perceived as "better" or "more interesting" by some, including myself.
Anyway, enjoy your work assignment, I'm sure you'll like your role & do well in it.
 
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Horsa

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Yes, you should print out the hand-outs. I would not expect many people to remember all words, esp. verses, even if they remember the choruses. But even those who remember all words will appreciate the handouts, as I would do.
When talking about 1940s, you cannot forget the domination of Glenn Miller Orchestra at all charts of the period. GMO dominated peoples minds so much that their style, first classical swing, like in Tuxedo Junction (that I linked below), then jive, like In The Mood posted somewhere above) were essentially copied by most musicians of the time. Remember, GMO in 1940s was like Beatles in 1960s-70s. Of course you cannot teach to sing In The Mood or Tuxedo Jnct, because Glenn didn't want any words there, but everyone should remember the jivey sound of In The Mood, the no1 in popular music of 1940s, eventually taken further into Bebop style by jazz musicians like Charlie Parker.
If I may introduce my opinion here: this type of popular music (created long before I was born) was far more interesting than today's pop. E.g. listen to the Blueberry Hill, or Autumn Leaves (the all times jazz classic of that period - I hope you include it in your list because knows it) just follow the baseline and your ear enjoys multitude of interesting chords. You hear every possible chord from from the G-minor scale the song was written in. While today's pop are at most repetitive I-IV-V (sometimes I-V only) progressions. It feels like in popular music (not in classical & jazz, that's a different story) people have forgotten the richness of musical emotions their fathers used to express. That's my "technical" way to explain why old music is perceived as "better" or "more interesting" by some, including myself.
Anyway, enjoy your work assignment, I'm sure you'll like your role & do well in it.

I know "Blueberry Hill". I will include it in my 1940's sing-along. Music from "The forces sweetheart" will definitely be included too & I will definitely add a couple of George Formby songs. Thank you very much for the information & your good wishes, Chris. I'm so excited about this role. I can't wait.
 

Chris Koziarz

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B/W mood? OK, let me introduce my personal pop piece (since we talk about those here, mainly) , one that is actually not bad artistically, not cringe-worthy (as opposed to most contemporary pops) and most importantly matches my current feelings.

Interesting piece, written in D-minor, although in a typical i-IV-VI-V progression, all but first (home) chords are inverted, giving it a "dark mood". Check the main piano track in the score if you don't immediately hear what I mean:
https://musescore.com/user/25634406/scores/4823163
 

Chris Koziarz

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Here is some stuff I grew up with.


I'm going to be the first one on this thread with strictly negative opinion. But given my mood, I just cannot resist my critique here (sorry to spoil it for you): this piece belongs to the category that I simply reject as superficial, very poor music, a typical Kitsch. A trivial major chord progression I-V at the bassline becomes boring after two bars and does not vary. The mood of the music very flat, does not convey would-be-emotions the soloist is trying to sing out. And most importantly, her voice simply cracking at high notes. E.g. at 0:32 "what IT all comes down to". Gee, it's hard to find more raucous voice among pro artists. Simply disgusting, my brain refused to accept anymore. I'm so fortunate that I didn't grow with it. I've heard it here for the first and last time.
 

Horsa

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Here is some stuff I grew up with.


I love that 1 too. I used to sing that along with others when I was in High School. Take That, Boyzone, Oasis, Blur The Spice Girls, Texas & All Saints were very popular too. (I didn't care much for Blur & Oasis though.)
 

Horsa

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B/W mood? OK, let me introduce my personal pop piece (since we talk about those here, mainly) , one that is actually not bad artistically, not cringe-worthy (as opposed to most contemporary pops) and most importantly matches my current feelings.

Interesting piece, written in D-minor, although in a typical i-IV-VI-V progression, all but first (home) chords are inverted, giving it a "dark mood". Check the main piano track in the score if you don't immediately hear what I mean:
https://musescore.com/user/25634406/scores/4823163

Since you're in a B/W mood what about these?

















 
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